Egyptian painter Adel El-Siwi was born in Beheira Egypt in 1952. Between 1970-1976 he studied medicine at Cairo University before seriously considering a career as a painter. Like other Egyptian artists of the late 1970s, El Siwi, who had emigrated to Europe and North America, was compelled to return to the motherland, drawn by the power of Egypt's legacy of art aesthetic achievement. In 1980 he moved to Milan only to return to Cairo in 1990 where he currently lives and works.

After twelve years of self-training and traveling Europe and Egypt he had his first major show in 1985 at the Cairo Atelier. Since the 1980s he has had solo exhibitions in Egypt, Germany, Lebanon and Italy. He has participated in group exhibitions as far across the globe as Brazil and Mexico. A 1988's exhibition at the Mashrabia Gallery in Cairo marked El Siwi's transition from the human figure to the interiors cape. This new phase attempted to give the traditional still life object pride and powerful presence. His latest works have been more narrative and ironic. Pure colors pierce the tonal elements, but are restrained by the somber Egyptian landscape marked by the monochromes of the desert and the grayness of Cairo. El-Siwi chooses to use the trite, simple themes of flower pots, palm trees, camels, etc. For considerable time, El Siwi strongly believed that the more limited the means the stronger the potential of the expression. Hence, he refused to use any other medium of painting than painting on paper or canvas. However, in his most recent work in the 1997's Venice Biennale's exhibition Modernity’s & Memories: Recent Works from the Islamic World, a room installation entitled The Face and Beyond, El Siwi explores the new genre of conceptual art through painting.